Posts in category display - page 10
Artist II is the art program that got me hooked on creating fonts with its built-in font editor. I picked it up in a bundle with a mouse and interface from Datel in the 80s and could barely put it down. Artist II came with a few fonts - a bold font, a futuristic font, and most interestingly, a Blackletter/Old English font that amazed me for so many years to come.
In 2019 I thought I’d try designing a blackletter, specifically the Textura style. I intentionally avoided looking at the “Old English” one from The Artist II to avoid similarities, and I’m glad I did. While that font had narrow non-bold lower-case, mine takes on a thicker, more stand-out style. Both fonts struggle to get the necessary curves and flourishes in the capitals, but with only 8x8 pixels, your options are limited. Along the way, I tried an alternative style which resulted in Scribe.
This font works pretty well for runs of text and prose but avoids using capital letters next to each other as the density can turn it into something quite incomprehensible.
A 2019 creation that managed to escape the _Incomplete folder in early 2020. It is aggressive, angular, and very tightly compressed.
Despite the compressed vertical height, it works well for titles and large runs of text at least on clear RGB screens and emulators.
With some tweaks to the symbols, you could render this font with just 6 vertical pixels if using a custom renderer. On a Spectrum that would give 32 lines instead of the usual 24.
Created in late 2019 and inspired by the original RoboCop logo this font is bold, chunky, industrial and angular.
It works well for titles, menus and short lists. Larger blocks of text can be quite hard to read.
Introduced in 1937 Peignot (pronounced Pen-yoe) is a classic font with a distinctive lower-case that consists of mostly restyled capitals. A revival in the 70s and various TV shows through the 80s and 90s, including the first three seasons of Seinfeld, brought it back into the public eye.
I created this font in 2019 in BASIN as an adaptation, and it fits surprisingly well.
This font works great in a variety of scenarios but certainly exudes a classical French style.