Posts in category sans-serif - page 7
American Type Founders designed the OCR-A font in 1968 to aid machines in recognizing the characters optically long before advanced OCR technologies were available. The goal was to be both machine and human-readable, and it was a great success and is still used today in a variety of places despite being followed by the more human-friendly OCR-B.
I created this liberal adaptation on the Sinclair Spectrum +3 using Artist II in the late 1980s. The distinctive style shines through even at this tiny size.
This font works well if you want a dated view of technological progress.
Susan Kare’s iconic Chicago shipped with the original Apple Macintosh in 1984 and was the standard system font until MacOS8 replaced it with the TrueType Charcoal look-alike. It did receive a dust-off in 2001 to become the primary font on the newly launched iPod range.
I created this font around 1990 using Artist II on a Spectrum +3. Chicago wasn’t quite so iconic back then, and the real challenge was trying to get a 12-pixel high proportional font into an 8x8. (MacOS has a 9pt ‘Chicago’ that is devoid of the distinctive bold flair). In order to retain the tall, narrow style, I reduced the character widths. I later created a more relaxed ‘wide’ variant too. In early 2021 I added a “Twiggy” variant based on screenshots of the Mac prototypes that sported an earlier version of Chicago.
It achieves the job of looking like Chicago while not being too similar at a pixel level. It’s the feel of the 12-point font using some of the style from the 10-point. I’d think this is what the 9pt should have looked like with some tweaks for mono-space and low-res readability.
This font works well for titles and large bodies of text, although, could benefit from a proportional renderer.
This font started as You Square in 2006’s BASIN as a simple digital square font. It later received a bold weight and finally a wide variant too.
All three work well for titles, prose and lists, and the combination of three styles allows for some mix and match variation.
A 2006 BASIN creation that’s unashamedly bold and a little reminiscent of many a cover tape back in the day.
Not too much to say about this one - it’s super-simple and bold with little in the way of flourishes and works for titles and can be used for dialog and prose although it can get a bit hard to read in descriptive text adventures.
Can be seen in Quahappy.