Posts tagged with clean - page 3

Reynolds

I seem to have this knack for creating a font based on memories and when I compare it to the actual thing it’s quite different. This happened once again with this font which I thought I was drawing in 2018 in the style of some text I’d seen in Firefly and Serenity and so named it Reynolds after Captain Malcolm Reynolds. Searching online shows no such typographical style in Firefly at all!

This is a semi-futuristic font that would look good on the side of a starship though.

Can be seen in Last Train to Tranz-Central.

Revelation

A 2019 BASIN production that went exploring the gap between my hand-written styles (Journey, Marais, Homestead) and humanist sans (Envious, Magic 5) etc. As my own handwriting is somewhat of a print this resonated well with me and I was pleased with the result.

This font can be used for titles but looks best for long sentences of prose and would work well in a first-person text adventure. Given the small size of the text it would also benefit from a proportional text renderer.

Prelude

I designed this font in 2019 as an intersection between regular italic fonts and handwritten fonts.

It is almost too neat and uniform to be a handwriting font yet has a certain hand-made charm to it.

Readability and spacing is good although it would also benefit from a proportional renderer to deal with those pesky i and l glyphs.

Can be seen in 16K Life.

Plotter

As a child I had terrible handwriting and so I was drawn to the flatbed plotter at my school that would grasp a pen and then precisely draw gorgeously legible letters. I designed this font back in the 80s in The Artist II on my Spectrum +3 as a tribute to that device - our school’s PlotMate attached to a BBC Micro.

I did originally move this font to Windows and then later refined it into Envy Code A which led through B and into R. I also dusted it off in 2005 for the BASIN package and created a ‘Plotter 2005’ variant and a bold weight. This 2019 version takes a bit of both and then tweaks it yet again and unifies the style with the bold.

Both weights are easy to read and very clear and work in all scenarios.

Can be seen in Little Mouse Adventure, Escape From Dinosaur Island, Scout’s Honour.