Posts tagged with envy-code
The Visual Studio Gallery is already home to 533 tools, controls and templates for VS 2010 and this number is sure to grow once VS 2010 hits RTM and people get to grips with the extendable new editor.
Don’t forget to check out The Visual Studio Blog for more tips, tricks and tools.
Theme VS itself
Color themes for the VS editor have been available and popular for some time but the Visual Studio Color Theme Editor adds color themes to the VS shell letting you customize it to the most intimate detail as well as providing a bunch of pre-defined themes like Aero and shades of XP.
A bucket and a mop
CodeMaid lets you clean up your code more thoroughly and quickly including removing extra empty lines and whitespace and automatically triggering VS’s cleanup steps too (format document, remove unused strings, sort usings) as well as quick switching between project sub-items, quick-jump to complex methods etc.
Ceasefire on indentation war
The Indentation Matcher Extension detects the indentation style used when you open a file and sets your VS settings to match meaning you can just edit existing projects and solutions without a care in the world.
As it should be – or at least until Elastic tabstops gets ported to VS2010 which might now be possible.
My hacked-version of Envy Code R marked italic as bold to trick VS into using it which made a lot of people, myself included, happy. But for those who preferred Consolas it wasn’t much help (there was no way I could redistribute a modified version of Consolas but believe me it looked sweet).
VS 2010 curiously still spurns italic fonts but the pluggable editor means extensions like ItalicComments can get you there although you’ll need to grab the source from gitHub to set it to your coding font of choice given the curious decision to hard-code Lucida Sans.
My Engrish is gud
Until Windows gets an OS-level spell checker (OS X had one in 2000) we’ll have to be content with each major app having it’s own or in the case of VS, none.
The aptly-named Spell Checker extension adds English spell checking to comments, HTML text, strings etc. and you too can avoid embarrassing mistakes preserved in source control for all to see.
Bitmap v scalable fonts
Bitmap fonts are incredibly easy to make. Using a program like Softy or BitFonter you decide the size of your letters and start plotting pixels. You can see exactly how it will look because you draw every glyph (letter/symbol/number) in every size you want to support. This can obviously be very time consuming and doesn’t let you take full advantage of the resolution of the device and the capabilities it offers. A printer can handle in excess of 300 dpi while a display is typically 72 dpi (Mac) or 96 dpi (Windows) with LCD’s supporting sub-pixels due to the individual layout of the red-green and blue elements you can’t feasibly pre-plot every single combination and even if you could the file size would be rather large.
Rather than having specific set of pixels to turn on or off TrueType, OpenType and PostScript fonts contain a series of instructions that tell the computer the shape using a series of points, lines and curves. This means the computer can scale the glyph to the size that is required and then take full advantage of the device being rendered honoring the users preferences for anti-aliasing (smoothing using shades of gray), sub-pixel precision (smoothing using hints of red, green and blue to take advantage of the layout of color elements in an LCD display), desired contrast and gamma settings etc.
Such a scaled glyph won’t fit perfectly within a pixel grid and a small sizes and low resolution it can look awful. It is also necessary to ensure that the vertical part of the letter I (known as a stem) looks very similar to the stem of other letters at the same size – we don’t want some letters looking bold – and that the top of the letter o aligns nicely with the top of the i etc. (in most fonts). The glyphs themselves don’t know what is a stem, what should align with other glyphs etc.
Many renders include logic to try and improve un-hinted fonts such as the drop-out control in Windows through to the full auto-hinter in FreeType. If you’ve ever used free fonts from any of the numerous web sites around you’ve probably seen that it doesn’t get it right and it looks like this:
The first few versions of Envy Code R looked like that because to address this problem you need to learn a process called hinting, which let’s the designer give the renderer “hints” on how to choose the pixels.
Font hinting started off as stem and edge identification so that glyphs would maintain the right proportions when sized and rendered on these low-DPI devices. It became apparent that a much more fine-grained level of control was required and so a stack-based byte-code language was developed as part of the TrueType specification to allow designers finer control in how points are adjusted to better take advantage of the display characteristics.
A TrueType font can contain extra blocks which describes, using a sequence of bytes that represent instructions and their arguments, the process by which to align the points and therefore make decisions about how best to fit the letter into the grid by retaining and adjusting various elements.
The important blocks are:
|fpgm||Font program||Run once when font first used to setup the tables.|
|gasp||Grid-fitting and scan conversion||Table specifying when to apply smoothing and grid-fitting based on size ranges.|
|prep||Control value program||Run every time the font needs to be drawn differently (e.g. change of size, changing anti-aliasing etc)|
|cvt||Control value table||Set of tables that can be used to specify various heights, widths, spacing, positions etc. that glyphs can relate to.|
Each instruction (opcode) has a mnemonic that is representative of what it does and these are documented in Chapters 5 through 6 of the TrueType specification (along with much other useful relevant information). Actual per-glyph instructions are stored with each glyph outline in the
Rasterizing & rendering
There are many different ways a TrueType font can end up on your screen with a lot of variants between how vendors chose to render the font and what options they expose to developers and users to fine-tune the experience.
- Windows – User choice of 1-bit, 4-bit gray-scale anti-aliasing, ClearType, ClearType tuning and display DPI plus WPF and DirectWrite per-app options
- Mac OS X – User choice of sub-pixel anti-aliasing strength and 1-bit cut-off plus per-app 1-bit option (e.g. Terminal)
- Java – Per-application choice of 1-bit, gray-scale or sub-pixel rendering
- Flash – Per-application choice of 1-bit or gray-scale
- FreeType – Rendering library that exposes a number of run-time and compile-time settings
This is of course ignoring the other rendering engines out there such as the Adobe’s Photoshop, RiscOS, D-Type rendering engine, Font Fusion (used on BeOS) etc. and prior versions of those renderers listed above (Flash and Mac OS changed significantly). Getting it pixel-perfect on every combination is impossible but we can try :)
Instructing fonts is a painstaking process at the best of times and few people deal directly with the low-level instructions instead relying on tools, stem identification and higher-level languages to achieve the same result. Some tools that have support for hinting instructions are:
- FontLab Studio 5 Comprehensive font-production package for Windows and Mac that includes auto-hinting and it’s own higher-level link language that it can generate TrueType instructions from but it does not support viewing or modifying existing TrueType instructions and does not handle diagonals well. Rendering preview includes mono, gray-scale and ClearType. (Commercial $649)
- Fontographer 4.1 Rather dated font-production package for Windows and Mac. (Commercial $349)
- FontForge Comprehensive font-production package that runs on X11 that includes auto-hinting and the ability to disassemble and edit existing TrueType instructions as well as debug them with stepping. Includes basic mono/gray-scale rendering options. (Open source)
- Microsoft Visual TrueType Hinting instruction tool from Microsoft that uses it’s own higher-level VTT Talk language that compiles down to TrueType instructions that you can further edit. Includes a comprehensive set of preview rendering options but is not capable of disassembling existing instructions. (Commercial, free with signed license agreement)
- TTX Python scripts that can convert a font into an editable XML representation and back including disassembly and assembly of TrueType hinting instructions. (BSD)
- TTIComp Command-line tool that provides an alternative C-like hinting language. (GPL)
- Xgridfit FontForge scripts to provide an alternative XML-based hinting language. (GPL)
- TrueTypeViewer Windows tool for displaying TrueType fonts and glyphs including debugging and descriptive disassembly of instructions. (GPL)
- TTHMachine Real-time editing of hinting instruction mnemonics and observing their effects which is useful for learning. (Free, no longer supported)
I don’t normally republish my Tweets but are my highlights.
Methods returning “this” is a hack for fluency. Let’s get “..” added to the C# compiler to operate on previous object. a.This()..That()
Statically typed languages are not flexible enough to develop dynamically linked libraries.
Renaming your WiFi router StupidRouter does not alas shame it into being more reliable.
Just took delivery on my Alps-switched keyboard… feels good so far… but let’s see if co-workers complain about the noise.
Apple should add hobbyist to its OS X line-up. Make kernel easier to switch, remove the h/w lock-down and no support.
Standard windows font smoothing’s real problem is lack of scales. Convert a ClearType rendering to greyscale in Photoshop…
It’s been a struggle but finally after countless hours here it is, the next release of my Envy Code R monospaced (fixed-width) font designed for programmers.
Many glyphs have been redrawn since preview 6 including braces, lower-case y, 6 & 9, ampersand, dollar-sign, hash etc. One pixel was removed vertically height to make the box drawing balanced and allow more lines per screen.
These new box-drawing, shading and symbols make Envy Code R a great font for the command-prompt (Consolas and Lucida Console lack box-drawing completely). To use them you will need to run the included registry file and reboot to operate correctly from a command prompt’s properties dialog.
This typeface contains over 550 glyphs providing full complements for DOS, Windows and Mac versions of the US, Western, Central Europe, Turkish, Baltic, Icelandic and Nordic code-pages. This hits several Unicode ranges including Basic Latin, Latin-1 Supplement, Latin Extended A & B, Box Drawing, Block Elements, Letter-like Symbols, Number Forms, Arrows… although not all of these ranges are complete yet.
As well as regular and bold variants this version includes a full italic version too and the obligatory italic-as-bold hack to get italic syntax highlighting in Visual Studio as shown here in my favorite 10 point with my Humane theme.
And for those of you that like the font a little larger it now looks good and the odd sizing issues are all gone!
Okay, enough with the teasing, you’ve waited far too long…
Download Envy Code R Preview 7.2 (TrueType) (169 KB)
These files are free to download and use from damieng.com but CAN NOT be redistributed either by other web sites or be included in your package, download, product or source repository.