Posts tagged with family - page 5
Back in 2006, I thought it would be interesting to complete the circle and try to shrink the feel of Envy Code R back down to a byte-sized version and the result is a pleasing, easy on the eyes sans.
This font is very readable and suits a lot of clean easy to read scenarios although it would benefit from using a 7 pixel wide (regular style) or proportional renderer (all) to reduce the character spacing. Unusually it comes with both a bold and italic style and also a serif variant.
Can be seen in UzeboxUI.
This typeface started as a 2006 BASIN production as Little Shadow, Little Shadow Bold, and Small Outline. I decided to combine them under a new name for this release - District - and produce a regular variant, the missing bold weight for the outline, and a squared version District Digital. Toward the end of 2020, I added a “Comic” style for further fun.
The plain styles work well in many scenarios, the outline works best as dark text on a light background, and the shadow requires that dark ink on a light paper to achieve the effect.
A 2018 digital take on the District font that started as just one variant but as the other styles of District grew it made more sense to split it out into its own so it could get bold, outline, and bold outline variants without making the former typeface collection too large.
While the font is not too dissimilar to District the angular and sharp edge contrasts give it quite a different feel and it is much better suited for tech-inspired scenarios. The non-outline versions work great for all scenarios and the outlines can work great for titles when the background is lighter than the font color.
I designed this font some time back in the 90s using Artist II as a tribute to the font used by Datel Electronics on their products and ads (they used something less extreme by the time they became a 16-bit Action Replay only shop).
I subsequently found out the font is STOP created in 1971 by Italian type designer Aldo Novares. There is quite a variance as I only had the letters in Datel’s ads to go by and even then it was a bit of a liberal interpretation.
A second “Replay” variant was added in 2019 and a “Tron” variant that uses the Tron: Uprising style of capitals later in 2020.
The font works well for titles and is also usable for small runs of text/lists.
Can be seen in Astronaut Labyrinth.