Posts tagged with formal - page 2
Originally commissioned by IBM in 1955 for use on their typewriters it soon became a de facto standard on typewriters, screenplays and successfully made the jump to graphical user interfaces with the advent of TrueType after a slow start as a bitmap font.
I created this font around 2006 as part of the BASIN package which required some fonts for people to use in their apps and games but was cleaned up in 2018 to try and make it feel more distinctly Courier and less a generic mono-spaced serif.
The monospace design of the original makes it work quite well on the Spectrum with even spacing. It works well for title, information and blocks of text and gives a smart feel that does not feel as dated as Courier does on modern platforms.
I designed this font in 2019 in an attempt to create a font with less x-height than I had designed before while also slipping in serifs.
A part of me has always resisted going this small as it relies on an impression rather than an accurate representation but I’m quite happy with the tweaks to allow the lower-case e, s and z to exist without breaking out of the constraints or over-bolding diagonal strokes.
The font is dense and a custom renderer could squeeze an extra 4-6 lines on the screen given the limited height. It works well for titles and seems to shine even on a fuzzy composite video display with scan-lines I simulated in Spectaculator. (I really should hook up a real Spectrum and a CRT to take some pictures of all of these…)
Serif fonts have often been challenging in 8x8 and I’m always trying to see if I can do something new.
Taking a few cues from both I came up with a serif that’s a little different from the others with open counters, long tails, and subtle angles that hardly does the source material justice but still looks great given the constraints.
A 2019 creation designed in BASIN for anything wanting a clean flowing italic font.
Unusually this font includes both serif and sans-serif in italic forms. Italics have long given me trouble and a serif italic was a challenge but I’m very happy with how it turned out.
Both serif and sans-serif are highly readable for titles and long runs of text and the serif bold is a useful addition. Being able to switch between them in a text adventure - one for descriptions and another for dialog perhaps - would be cool!